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NOW Magazine, Toronto Fringe Review:
by Jon Kaplan July 10, 2014

Returning for his second appearance at FringeKids!, rubbery mime Trent Arterberry grabs children from his first entrance with an arsenal of body movements and self-generated sound effects. In short episodes as a racing-car driver, a pilot, a robot, a digital dude, a puppet named Mr. Bigg and the classic man-trapped-in-box scenario, he fascinates his young audience and involves them in trying some of his moves and realizing the power of the imagination.

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Think Bigg (Trent Arterberry) 2014 Toronto Fringe Review
By Sam Mooney, Mooney on Theatre, July 4, 2014

My grandson Max (5) was pretty excited when we arrived at the Palmerston Library to see Think Bigg, one of the shows in this years FringeKids! I was looking forward to seeing Trent Arterberry’s show as well. Last year his show, The Secret Life of Walter Manny, sold out and I missed seeing it.

Think Bigg is high energy, fast paced and funny. It will appeal to adults as much as it does to children.

Arterberry is a mime who talks. And does sounds effects. His opening piece had the audience grinning from ear to ear and I kept grinning and smiling for the rest of the show. My face was sore at the end.

The children in the audience loved Arterberry, laughing and giggling as he did amazing things with his body and face. He explained mime to us and gave us a couple of lessons. Even if I had a hundred years to practice I doubt I could ever learn to do the thing he does with his head. I could learn to do the blowing up the balloon thing though. It was lovely to see everyone in the audience blowing up their imaginary balloons.

He’s great with kids, he explains things but doesn’t talk down to them.I’m not usually a fan of mime but I loved the show. Arterberry is amazing.

Max really enjoyed the show. His favourite part was Roboman and I can understand why. It was hard to believe that it wasn’t a robot on the stage. I foresee much robotic action on Max’s part over the next few days.

Max is a super shy kid and he was so engaged that he actually managed to gather the courage to ask a question at the end of the show during an impromptu Q&A session.

He has a brother who will be three in September. His mum asked him if he thought that Desmond would enjoy the show. Max thought that Desmond might be a bit scared but the show is really cool so probably he’d like it.

He was positive that his friends would really like it. The program suggests that it’s suitable for kids 4 and up and you might want to be guided by that. Of course all kids are different and you know your children and what will engage them.

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Review By Jon Kaplan NOW Magazine
Toronto; July 11, 2013

Blending text and mime, performer Trent Arterberry contrasts the real and fantasy lives of the young Walter Manny, a hero-in-training whose imaginative worlds are more exciting than his everyday experiences.

Initially considered a weirdo by his peers, Walter proves himself and learns not only that he can be appreciated by others but also that his imagination works best when he uses it in a focused manner.

The young audience loves the rubber-faced and -bodied Arterberry's creation of fantasy scenes, where Walter turns into a cowboy, firefighter, pilot, race car driver, secret agent and rock star without the use of props, set or costumes.

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The Secret Life of Walter Manny (Trent Arterberry) 2013 Toronto Fringe Review
By Istvan Dugalin, Mooney on Theatre, Toronto, July 5, 2013

The Secret Life of Walter Manny is playing at the Palmerston Library and is part of FringeKids! This is the second exceptional kids show I’ve seen at Toronto Fringe this year. Trent Arterberry's one-man show is a fast-paced and high-energy adventure which both parents and their children will find fun and poignant.

The story is about the Walter Manny of the title, and the many adventures he has in his own mind—thanks to his very active and vivid imagination. The show is about imagination—how much fun it is, and how it can sometimes get us into trouble.

As befits a show about imagination, the stage is bare except for Trent Arterberry And he is more than enough to fill it! His has such an intense and inviting presence that you can’t help but be immediately sucked in. He is a perfect children’s performer and creates a goofy and exciting atmosphere. He can have kids in awe one moment, then suddenly reduce them to fits of giggles with a single glance.

His polished and inventive mime work allows children to use their imaginations to create the fantastic scenes that play out in Walter Manny’s mind.

He drives racecars, goes on secret missions, and fights fires! Afterwards, he often finds himself having to face irritated adults (his Gran and his teacher) and the mockery of fellow classmates who do not understand his antics. Everyone wants him to focus on the real world, and get his imagination “under control.”

But, Walter Manny takes this in stride. He tries to remain calm, and is always open to the possibility of making friends, but never quite connects functionally to the real world. That is, until his imaginary adventures come in handy.

A fire breaks out in the school and Manny must harness his imagination to save a friend by creatively employing objects within the classroom that people would normally take for granted.

Having saved the day, Manny is applauded by his Gran and his Teacher, and accepted by the classmates who used to make fun of him. Manny was able to focus his imagination and use it to his advantage in the real world.

The Secret Life of Walter Manny shows kids that their imaginations, and their playing, are important. They should follow their interests, and learn how to apply their ideas and skills to help make the world a better place. And teachers and parents should try to channel that imagination, rather than stifle it.

Essentially, this is basic hero mythology—Walter Manny explores the dangerous unknown, battles chaos, and creates something orderly and safe as a result of the encounter. And so, the real world becomes a more understandable and benevolent place for him.

Arterberry’s persona is spirited, goofy and conspiratorial. He captures the kids’ full attention from his entrance and they are completely with him until the end.

With his guileless persona, he forms a silent pact with them—sometimes adults just don’t seem to understand! But, the story strives to show them that the people who love them want to understand; sometimes, they just need a little shove in the right direction!

The mimed adventure sequences are a treat. They are polished and detailed, with a silliness that will appeal to youngsters.

This is exceptionally well-crafted children’s theatre!

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Theatre Review: The Secret Life of Walter Manny
by Gracie Threlfall (age 9)
Culture Vulture Victoria — August 25, 2012

Walter Manny is a kid with an overactive imagination. None of the other kids at his school like him, they all just think he’s weird. Even his gram and his teacher don’t get him. He spends his days daydreaming because that’s the only thing he really feels comfortable doing—but he gets in a lot of trouble for doing it, because he’s not just sitting there. No matter where he is or what he’s doing, he just ends up daydreaming that he’s an airplane pilot, a race car driver, a fireman, a cowboy, being trapped by aliens, a baseball player, a sword fighter, a secret agent and a dancer. But when a fire breaks out while he’s daydreaming, we all learn how a good imagination can end up saving the day.

The actor, Trent Arterberry, has a great imagination and does lots of great sound effects while he acts out all these roles in this 45-minute show. He is so good at changing voices, too. I really liked it when he was a secret agent. It was really cool when he was using pretend suction cups to climb a wall, because it really looked like there was a wall there. All of the props in this show are imaginary, but you’d have to be a little older than five to be able to understand everything that happens in this story. My seven-year-old brother loved this show, but his four-year-old friend had a bit of trouble following it.

The Secret Life of Walter Manny is part of the Fringe’s FamilyFest at Langham Court Theatre. I really liked going to Langham Court, as it has a pretty big stage. Most kids’ shows come to our schools, so it seemed pretty special to see a kids show in an actual theatre.

In the end, Walter Manny does a great job saving the day! This is a hilarious show. If you like using your imagination, don’t miss The Secret Life of Walter Manny!

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The Secret Life of Walter Manny
by Varnya Bromilow
Monday Magazine, Victoria, BC, August 30, 2012

This guy is good. From the minute he takes the stage, Trent Arterberry as Walter Manny is the picture of pure artistic commitment. Using mime, dance and his winning grin, Arterberry brings the character of a wildly imaginative little boy to vivid life.  Walter, who lives with his grandmother for reasons that are left unsaid, dwells in a hypercolour world where he is a pilot, fireman, dancer, spy and naturally, Luke Skywalker. Arterberry’s genius is that he not only keeps the junior crowd thoroughly entertained sans props of any kind for 45 minutes, but he also leaves room for a wonderfully heartfelt lesson about playground politics. Walter is an eccentric, fated to great things perhaps, but like most of those souls a little lost in the rigour of the scholastic system. Considering his target audience, Arterberry’s message is surprisingly nuanced — imagination is a gift indeed, but a gift to be managed if it’s to really benefit you. Arterberry’s gift is twofold — storytelling that doesn’t patronize and the agility to make it vastly entertaining. Suitable for five and up.

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Fringe Festival: Family-oriented fare lets the imagination run wild
By Cory Ruf, Times Colonist, Victoria, BC, August 28, 2012

What: The Secret Life of Walter Manny
When: Aug. 29 to 31
Rating: ★★★★ and 1/2 stars

In this one-man show, Victoria's Trent Arterberry plays Walter Manny, an eight-year-old boy whose imagination gets him in regular trouble at home and at school. Using only his wiry body, elastic face and shape-shifting voice, the middle-aged thespian acts out Walter's daydreamed worlds of adventure - being a heroic fireman, playing for a bigleague baseball club, boarding an alien spaceship - as well as the child's collisions with reality. The play, a true gem, resolves with a nugget of wisdom as useful for adults as it is for children - your imagination has pretty nifty realworld applications.

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